Howls – Hammock by JUL & MAT from JUL & MAT on Vimeo.
Hammock is the debut single from Howls! Directed by JUL & MAT
Howls – Hammock by JUL & MAT from JUL & MAT on Vimeo.
Hammock is the debut single from Howls! Directed by JUL & MAT
Georges Hands from JUL & MAT on Vimeo.
This is how the daft hands sound in Paris! Another awesome video by Jul & Mat
Ben.MaZUé – Obama from JUL & MAT on Vimeo.
Another incredible music video by Jul & Mat this time for the French artist Ben.MaZUé

There was a time when layoffs felt like failure.
A bruising, reluctant move. A last resort.
Now? They’re a business model , a recurring ritual in the quarterly earnings liturgy.
A cleansing ceremony to reassure investors that “discipline” still rules.
Let’s rewind.
2020 changed everything.
Or so we thought.
As the world shut down, companies broadcast empathy from their home offices:
“Due to unprecedented uncertainty, we’re forced to make tough decisions.”
Translation: It’s not you. It’s margins.
Millions were laid off “for the greater good.” That “good” turned out to be the balance sheet.
When markets rebounded and stock valuations hit record highs, the same companies discovered a new crisis: “overhiring.” The solution? Another wave of layoffs.
Corporate resilience, it seemed, meant the CEO’s yacht stayed afloat.
The numbers glittered.
Microsoft posted billions in profit yet cut 9,000 jobs (Q1 2025 filings).
UPS, fresh off a record delivery year, said goodbye to 20,000 employees in a “realignment initiative.”
Intel trimmed 4,000 under “manufacturing optimization.”
Tata Consultancy Services bragged about its “biggest-ever workforce restructuring” — 12,261 people, gone.
Nestle plans to get rid of 12,000 white collar jobs on top of 4,000 other roles across the board within the next two years
Amazon targets as many as 30,000 corporate job cuts
The list goes on and on. The paradox became routine: profits up, payroll down.
Somewhere, HR pressed send on another “Exciting Changes Ahead” email.
Growth, it turns out, is only good news for shareholders.
2025 brought a shiny new excuse: artificial intelligence.
Executives announced “transformative investments in AI,” often right before announcing job cuts.
IBM, Dell, and Google cited “AI-driven efficiencies” across multiple reports. But in practice, AI wasn’t replacing tasks … it was replacing justification.
PowerPoints got smarter; human beings, redundant.
As one HR chief joked at an investor meeting, “We’re not downsizing … we’re future-sizing.”
Bad economy? Layoffs.
Booming economy? Layoffs.
AI revolution? Layoffs.
Solar eclipse? Pending.
In March 2025 alone, U.S. companies slashed 275,000 jobs … the largest monthly wave since 2009 (Challenger, Gray & Christmas report).
Corporate America doesn’t need a crisis anymore. It just needs a quarter.
The language evolved.
Layoffs became “rightsizing.”
Cuts became “strategic agility.”
Suffering became “efficiency gains.”
Executives now speak with Zen minimalism about “optimizing workforce alignment,” as if people were spreadsheet cells misbehaving.
They talk about “doing more with less.”
Mostly, the less is us.
Somewhere along the way, we lost basic math:
People are the economy.
Consumers need income.
Income comes from jobs … the ones being systematically deleted.
You can’t fire your way to prosperity.
You can’t automate empathy.
And you definitely can’t build a thriving society by erasing its workforce one “optimization” at a time.
Still, somewhere at sea, a CEO raises a glass aboard his yacht … Synergy II ….smiling as he tells investors,
“We’re doing great things with less.”
He’s not wrong.
They’re doing great things.
With less of us.
An award winning animation from Einar Baldvin. Extracts from the journal of Pastor John Deitman, Strathmoor, Georgia. June & July, 1927
An award winning animation from Einar Baldvin. Extracts from the journal of Pastor John Deitman, Strathmoor, Georgia. June & July, 1927
WOODY ALLEN,ALFRED HITCHCOCK, ORSON WELLS and other famous film directors are giving advices and sharing their filmmaking experience in this lovely animated series created by Natali Ilchuk & Julija Proskurina