In “A Room Listening to Itself” In this work, sound is produced through a “making audible” of the physical relationships between microphones, reclaimed speaker cones, and the gallery’s surrounding acoustic environment. Using the aural phenomena of tuned microphone feedback alongside recursive amplification networks, the gallery space is turned into a giant resonator that amplifies both acoustic activity and inactivity as a product of spatial relationships. Custom-built computer software constantly re- calibrates the room to ever-changing acoustic situations, aiming for a sonic equilibrium that remains out of reach. From Adam Basanta