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Posts tagged marketing





For consumers
Decision fatigue disappears. You describe your needs and get a personalised buyer’s guide that filters, compares, and questions on your behalf. Shopping becomes clarity, not chaos.

For marketers
The era of “more content” is over. If an agent interprets your brand, only the clearest value, strongest proof, and simplest differentiation survive. Messaging needs to be honest, sharp, and immediately legible to an AI interpreter.

For e-shops
Your real competitor isn’t the store next door. It’s the agent that chooses whether your product even appears in the shortlist. UX matters less. Truth, pricing, and trust signals matter more, than internal teams selling your products on youtube channel and tiktok
A new layer has entered the funnel: the AI researcher. Whoever understands this first wins 2026.

For influencers
Your relevance depends on what part of your influence was real. The “I test products so you don’t have to” model becomes replaceable and obsolete. An agent can do that faster, deeper, cheaper and without bias. What survives is the part no machine can imitate: your worldview, your cultural voice, your ability to create identity and belonging (if you have one) Product curators fade. Meaning-makers rise.

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Once upon a time well a few yeas back to be precise, advertising agencies were factories. You gave them a brief, they churned out scripts, visuals, jingles. The cost was in the craft—the lights, the cameras, the battalions of account execs and creatives.

But then along came AI. Suddenly, everyone had a factory in their laptop. Need a video? Done in an afternoon. A headline? Five seconds. A hundred variations of a TikTok spot? Press a button.

Which leaves us with an awkward question: if anyone can make an ad, why pay an agency to make one?

The reflex answer “better craft” no longer holds. Craft is now abundant, instant, nearly free. The moat is gone. The castle is empty.

So where’s the new scarcity? It’s not in making. I believe that it is in choosing.

Taste. Strategy. Judgment. Signal from noise.

That is the agency’s future. Not as a factory, but as a curator.

Think of it this way: AI can give you 100 ads before lunch. Ninety-eight will be irrelevant. Two might be brilliant. The in-house client team will likely pick the wrong ninety-eight. Why? Because brands rarely see themselves clearly. They’re too close to the mirror.

Agencies, at their best, are editors of culture. They know which tensions to enter, which signals to amplify, which executions deserve media money and which deserve a swift burial.

This changes the economic model, too. Agencies shouldn’t sell hours or outputs. They should sell discernment. Maybe it’s a subscription to cultural intelligence. Maybe it’s royalties on ideas that go viral. Maybe it’s performance fees. But the days of charging for bulk production are numbered.

The factory is dying. And good riddance.

The curator is rising. Agencies that embrace this with the right talent will thrive, not by producing more content, but by ruthlessly deciding what deserves to exist.

Because in a world drowning in infinite bad irrelevant ads, the bravest act isn’t making another one. It’s having the taste, courage, and foresight to say: No. That doesn’t cut through. Kill it.

So here’s the final provocation: Do you want to be remembered as the brand that produced ads, or the one that edited culture?

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AI Didn’t Kill Creativity. Confused Roles Did.


The Dinner Party That Fell Apart

Advertising once worked like a well-planned dinner party. The strategist decided the seating plan, the topics of conversation, and when to change the subject. The creative lit the candles, poured the wine, and told the story that made the whole evening worth remembering.

Now the party has collapsed into chaos. The strategist is in the kitchen fiddling with soufflés. The creative is scribbling seating plans on napkins. And the machine, our shiny new sous-chef, has prepared twenty main courses at once, none of which anybody particularly wants to eat.

It looks lively. In truth it is cannibalism. Everyone is trespassing into everyone else’s garden. And when everyone does everything, nobody does anything well.

The strategist loses the depth of thinking that once made them valuable. The creative loses the craft that once made them indispensable. And the idea, the very heartbeat of advertising, is left without a clear owner.


The Result of the Collapse

For Agencies
Agencies now resemble karaoke bars. Everyone is singing, but the tune is borrowed and the lyrics are hollow. The flood of AI-generated mockups dazzles in pitch rooms but collapses in the real world. Timelines do not accelerate because of efficiency but because confusion creates the illusion of speed.

Without role clarity, agencies drift into performance theatre. They produce mountains of content but little of it connects. They mistake volume for value. And as they try to be everything at once, they slowly become nothing in particular.

For Clients
Clients are promised brilliance but delivered decoration. They receive work that looks like advertising but lacks the spine of strategy and the soul of creativity. They are drowned in outputs yet starved of ideas.

This confusion erodes trust. Clients cannot tell who to hold accountable. Was it the strategist, the creative, or the tool? In the absence of ownership, everything feels disposable. The brand pays the price in irrelevance, sameness, and wasted budgets.

Sooner or later, clients will stop seeing agencies as partners in meaning and memory. They will treat them as suppliers of cheap, forgettable content. Once you become a supplier instead of a partner, the game is already lost.


The Mirage of AI

The industry loves to blame AI. But AI did not kill creativity. It simply handed us a mirror.

AI is not the executioner. It is the accomplice. It exposes our professional insecurities with embarrassing clarity.

Strategists, anxious about irrelevance, spend hours fiddling with Midjourney prompts, writing their own scripts and slogans and call it “ideation.” Creatives, equally anxious, hide behind pseudo-intellectual decks and sprinkle jargon about “cultural tension” like salt on a bland meal. The machine obligingly produces endless outputs. All style, no spine.

The real problem is not the tool but the abdication of responsibility.

We have built an illusion of abundance. Agencies flaunt hundreds of mockups as though volume equals value. Clients nod approvingly, dazzled by the spectacle, only to wonder six months later why nothing shifted in the market. It is like serving twenty desserts while forgetting the main course.

Here lies the paradox. AI makes it easier than ever to generate what something might look like. But it does nothing to answer why it should exist at all. Without the “why,” the “what” is nothing more than decoration.

Once you mistake decoration for strategy, you are no longer an agency. You are a content farm with better lighting.


Who Owns the Idea?

This is the question we dare not ask. Who owns the idea now?

The Strategist
Knows the market, the culture, the numbers. Can explain why something matters. But too often delivers skeletons without flesh.

The Creative
Knows craft, taste, instinct. Can make an idea sing. But without direction risks producing viral fluff shareable, forgettable, meaningless.

The Machine
Generates speed, scale, and surprise. Produces endless options in seconds. But cannot decide meaning. It has no skin in the game.

Today everyone points at everyone else, and the idea becomes orphaned. Nobody claims it, nobody defends it. And if nobody owns the idea, then nobody owns the outcome.


The Missing Role

What agencies need is not blurred roles but sharper ones. Someone must guard the idea. Someone must hold the “why” steady while the “how” evolves. Call them strategist, call them creative, call them lunatic it does not matter. But without a custodian of meaning, the machine will multiply nothing into infinity.

The great irony is that advertising was always about ownership. Someone had to stand in the room and say, “This is the idea. This is what we believe.” Without that moment, there is no risk, no courage, and no chance of resonance.


The danger of AI is not that it replaces us.

The danger is that it tempts us to replace ourselves. We confuse output for ideas, iteration for invention, role-swapping for collaboration.

We tell ourselves that cost-cutting justifies confusion. That speed justifies shallowness. That abundance justifies emptiness.

But every brand is built on memory, meaning, and commitment. And memory, meaning, and commitment do not emerge from machines. They come from people willing to own ideas.

So the question remains. Should we really let this continue just because it cuts costs?

The supermarket is one of the strangest and most powerful inventions in human history. Grocery shopping is often perceived as a simple, mundane activity. And for many, access to food has never been more effortless. But supermarkets hold far more power than we realize. The journey our groceries take to reach the shelves touches every part of our lives – from our health, to our culture, to the environment.

For most of its history, advertising thrived on context.

Marlboro could posture as rugged freedom in the pages of Life.

Coca-Cola could sell happiness in the glow of a family television. Brands borrowed gravitas from the stage they performed on.

That stage has collapsed.

Open any feed, and the juxtapositions border on derangement. A luxury perfume ad sits next to footage from kids dyeing a war zone. A “get ready with me” makeup tutorial plays before a video of protesters clashing with police. A parody song about eugenics algorithms trends, while a new snack food launches in the same scroll. Luxury and suffering. Irony and sincerity. Progress and regression. All jostling for the same square of glass.

This is not culture. It is collision.

Algorithms, of course, insist they are solving the problem. They offer “personalization”. But what they actually know are the following: They know when you are restless, when you pause for three seconds on a video, when you hover over a product before abandoning it. They know your pulse. What they do not know is your soul. Why you can’t sleep, why you feel sad, why you are crying.

Prediction is not the same as understanding.

Machines are superb at exploiting moments of weakness—2am insomnia, doomscroll fatigue, payday jitters. Yet they cannot tell you why people yearn, what they aspire to, or what makes life meaningful. The industry has mistaken behavioural prediction for intimacy, and in doing so, has surrendered its one true advantage: the ability to craft enduring meaning.

This is advertising’s awkward dilemma. Do brands add more shards to the pile, fighting for a microsecond of fractured attention? Or do they resist the gravity of the feed and try to create coherence instead?

The uncomfortable truth is that advertising has become a contributor to the breakdown. By chasing “relevance” at all costs, brands pour gasoline on the chaos. Every campaign becomes another dissonant signal fighting for scraps of cognition.

Yet the opportunity is hiding in plain sight. In an environment where everything is noise, coherence becomes radical. In a feed where every signal contradicts the next, a brand that offers consistency, clarity, or even a moment of calm stands out far more than one that shouts louder.

Yesterday’s diagnosis was economic: loyalty is no longer earned, it is rented, renewed only as long as the offer makes sense. Today’s diagnosis is cultural: meaning itself has fragmented.

The future of advertising will not be won by algorithms alone, nor by nostalgia for heritage brands. It will be won by those who can do what machines cannot: give people a story that makes sense of the chaos.

The algorithm may know your pulse, but only humans can write your soul. The question for brands is brutally simple: do you want to feed the collapse—or carve coherence out of it?

For a century, marketers preached the gospel of brand loyalty. People bought Coca-Cola for the dream. Marlboro for the cowboy. Mercedes for the badge.

That religion is over.

Euromonitor’s Trending Topics 2026 makes it plain: despite household incomes crawling upward at just 0.4% a year since 2021, consumers don’t judge by price alone. They demand health, convenience, sustainability, digital ease. If you can’t deliver, you’re irrelevant.

71% of consumers worry about the rising cost of everyday items. But they aren’t clinging to legacy labels. They are defecting to private label. Cooking ingredients, staple foods, dairy—once the strongholds of heritage brands—are now being stripped bare by discounters and warehouse clubs.

And then come the insurgents: Temu. TikTok. SHEIN. They don’t sell myths. They sell speed, affordability, and relevance. And they are winning.

The report names the shift: brand loyalty is weakening. Loyalty isn’t earned. It’s rented, renewed only as long as the offer makes sense.

Winners already know this. InterContinental Hotels sells NOMO solo-stay packages with wellness perks. SAIC’s MG4 EV became a European bestseller by combining affordability with advanced features. They didn’t trade on heritage. They traded on delivery.

So stop polishing your history. Nobody cares.
In this economy of squeezed incomes and rising costs, the only question is: Do you deliver today?

The cult of the brand is dead.
The cult of delivery has begun.

Covering the latest campaigns, news and trends, along with industry interviews, events and case studies.

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