Sawing Fred Astaire and Cyd Charisse in half.
Another experiment in cinephilic re-spatialisation by Catherine Grant
Archive for
MAGIC MIRROR MAZE
A spectacle that is not immersed in memory […] remains a meaningless collection of disjointed fragments.
The films are THE LADY FROM SHANGHAI (Orson Welles, 1947) and ENTER THE DRAGON (Robert Clouse, 1973) Created by Catherine Grant
Runout Rhythms
by Matt Cook
Do Humans Dream of Machines?
Should the relationship between man and machine be defined as subordinate? The question ‘Do humans dream of machines?’ represents a negative feedback loop between human and machine. Each of the eight coolers is equipped with a miniature harmonica which generates sound when the cooler is activated. Each module has a built-in microphone, which recognizes the specific note of each harmonica. When the microphone recognizes the specified note, the fingers stop the sound by pressing the center of the cooler. If the microphone does not hear any sound, the fingers return to their original positions. By Jonghong Park
Kriill – Your Eyes, Will I Ever
Directed and Animated by Félicien Colmet Daâge.
Women, Intimacy, and Sexual Violence in Hitchcock Films
by Emma Hampsten
SINGIN’ IN THE RAIN: “Good Morning” scaled triptych
SINGIN’ IN THE RAIN: “Good Morning” scaled triptych