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Sawing Fred Astaire and Cyd Charisse in half.
Another experiment in cinephilic re-spatialisation by Catherine Grant

A spectacle that is not immersed in memory […] remains a meaningless collection of disjointed fragments.
The films are THE LADY FROM SHANGHAI (Orson Welles, 1947) and ENTER THE DRAGON (Robert Clouse, 1973) Created by Catherine Grant

by Matt Cook

Should the relationship between man and machine be defined as subordinate? The question ‘Do humans dream of machines?’ represents a negative feedback loop between human and machine. Each of the eight coolers is equipped with a miniature harmonica which generates sound when the cooler is activated. Each module has a built-in microphone, which recognizes the specific note of each harmonica. When the microphone recognizes the specified note, the fingers stop the sound by pressing the center of the cooler. If the microphone does not hear any sound, the fingers return to their original positions. By Jonghong Park

Directed and Animated by Félicien Colmet Daâge.

Women, Intimacy, and Sexual Violence in Hitchcock Films

by Emma Hampsten

SINGIN’ IN THE RAIN: “Good Morning” scaled triptych

by Jason Mittell

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