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Our anxiety about the future – feeling that we’re destined for ruin and disgrace – may feel like a rational assessment of our present circumstances. But its roots most likely stretch far further back: to forgotten traumas we underwent in the past.

The film is a set of exactly repeated actions, but each time using different objects. It uses the structure of the fugue to create the films narrative, playing on the fugues characteristic of stating the subject in different voices. By optical arts

Herbert arrives in the seaside city on a long working trip. Accidentally he falls in love with a very strange beautiful saleswoman in a flower shop. He suffers from insomnia, which he treats by watching billiards on TV. But now it doesn’t help anymore. His obsessive passion keeps him awake… By Leonid Shmelkov

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