When technologist Luis von Ahn was building the popular language-learning platform Duolingo, he faced a big problem: Could an app designed to teach you something ever compete with addictive platforms like Instagram and TikTok? He explains how Duolingo harnesses the psychological techniques of social media and mobile games to get you excited to learn — all while spreading access to education across the world.
The end of the world

We humans could have a bright future ahead of us that lasts billions of years. But we have to survive the next 200 years first. Join Josh Clark of Stuff You Should Know for a 10-episode deep dive that explores the future of humanity and finds dangers we have never encountered before lurking just ahead. And if we humans are alone in the universe, if we don’t survive intelligent life dies out with us too.
Strategists with Brushes, Creatives with Briefs
AI Didn’t Kill Creativity. Confused Roles Did.
The Dinner Party That Fell Apart

Advertising once worked like a well-planned dinner party. The strategist decided the seating plan, the topics of conversation, and when to change the subject. The creative lit the candles, poured the wine, and told the story that made the whole evening worth remembering.
Now the party has collapsed into chaos. The strategist is in the kitchen fiddling with soufflés. The creative is scribbling seating plans on napkins. And the machine, our shiny new sous-chef, has prepared twenty main courses at once, none of which anybody particularly wants to eat.
It looks lively. In truth it is cannibalism. Everyone is trespassing into everyone else’s garden. And when everyone does everything, nobody does anything well.
The strategist loses the depth of thinking that once made them valuable. The creative loses the craft that once made them indispensable. And the idea, the very heartbeat of advertising, is left without a clear owner.
The Result of the Collapse
For Agencies
Agencies now resemble karaoke bars. Everyone is singing, but the tune is borrowed and the lyrics are hollow. The flood of AI-generated mockups dazzles in pitch rooms but collapses in the real world. Timelines do not accelerate because of efficiency but because confusion creates the illusion of speed.
Without role clarity, agencies drift into performance theatre. They produce mountains of content but little of it connects. They mistake volume for value. And as they try to be everything at once, they slowly become nothing in particular.
For Clients
Clients are promised brilliance but delivered decoration. They receive work that looks like advertising but lacks the spine of strategy and the soul of creativity. They are drowned in outputs yet starved of ideas.
This confusion erodes trust. Clients cannot tell who to hold accountable. Was it the strategist, the creative, or the tool? In the absence of ownership, everything feels disposable. The brand pays the price in irrelevance, sameness, and wasted budgets.
Sooner or later, clients will stop seeing agencies as partners in meaning and memory. They will treat them as suppliers of cheap, forgettable content. Once you become a supplier instead of a partner, the game is already lost.
The Mirage of AI
The industry loves to blame AI. But AI did not kill creativity. It simply handed us a mirror.
AI is not the executioner. It is the accomplice. It exposes our professional insecurities with embarrassing clarity.
Strategists, anxious about irrelevance, spend hours fiddling with Midjourney prompts, writing their own scripts and slogans and call it “ideation.” Creatives, equally anxious, hide behind pseudo-intellectual decks and sprinkle jargon about “cultural tension” like salt on a bland meal. The machine obligingly produces endless outputs. All style, no spine.
The real problem is not the tool but the abdication of responsibility.
We have built an illusion of abundance. Agencies flaunt hundreds of mockups as though volume equals value. Clients nod approvingly, dazzled by the spectacle, only to wonder six months later why nothing shifted in the market. It is like serving twenty desserts while forgetting the main course.
Here lies the paradox. AI makes it easier than ever to generate what something might look like. But it does nothing to answer why it should exist at all. Without the “why,” the “what” is nothing more than decoration.
Once you mistake decoration for strategy, you are no longer an agency. You are a content farm with better lighting.
Who Owns the Idea?
This is the question we dare not ask. Who owns the idea now?
The Strategist
Knows the market, the culture, the numbers. Can explain why something matters. But too often delivers skeletons without flesh.
The Creative
Knows craft, taste, instinct. Can make an idea sing. But without direction risks producing viral fluff shareable, forgettable, meaningless.
The Machine
Generates speed, scale, and surprise. Produces endless options in seconds. But cannot decide meaning. It has no skin in the game.
Today everyone points at everyone else, and the idea becomes orphaned. Nobody claims it, nobody defends it. And if nobody owns the idea, then nobody owns the outcome.
The Missing Role
What agencies need is not blurred roles but sharper ones. Someone must guard the idea. Someone must hold the “why” steady while the “how” evolves. Call them strategist, call them creative, call them lunatic it does not matter. But without a custodian of meaning, the machine will multiply nothing into infinity.
The great irony is that advertising was always about ownership. Someone had to stand in the room and say, “This is the idea. This is what we believe.” Without that moment, there is no risk, no courage, and no chance of resonance.
The danger of AI is not that it replaces us.
The danger is that it tempts us to replace ourselves. We confuse output for ideas, iteration for invention, role-swapping for collaboration.
We tell ourselves that cost-cutting justifies confusion. That speed justifies shallowness. That abundance justifies emptiness.
But every brand is built on memory, meaning, and commitment. And memory, meaning, and commitment do not emerge from machines. They come from people willing to own ideas.
So the question remains. Should we really let this continue just because it cuts costs?
Consumerism is the Final Form of Slavery – Prof Jiang Xueqin
“You all go into debt and you all hate each other ” Now you know!
Professor Jiang Xueqin delivers a chilling breakdown of how modern consumerism traps people in a cycle of comfort, obedience, and silent submission. From phones to fast fashion, you’re not choosing freely — you’re being managed. This isn’t freedom. It’s slavery perfected.
We’re Experts in Fascism. We’re Leaving the U.S. | NYT Opinion
Legal residents of the United States sent to foreign prisons without due process. Students detained after voicing their opinions. Federal judges threatened with impeachment for ruling against the administration’s priorities. In this Opinion video, Marci Shore, Timothy Snyder and Jason Stanley, all professors at Yale and experts in authoritarianism, explain why America is especially vulnerable to a democratic backsliding — and why they are leaving the United States to take up positions at the University of Toronto. Professor Stanley is leaving the United States as an act of protest against the Trump administration’s attacks on civil liberties. “I want Americans to realize that this is a democratic emergency,” he said. Professor Shore, who has spent two decades writing about the history of authoritarianism in Central and Eastern Europe, is leaving because of what she sees as the sharp regression of American democracy. “We’re like people on the Titanic saying our ship can’t sink,” she said. “And what you know as a historian is that there is no such thing as a ship that can’t sink.” She borrows from political and apolitical Slavic motifs and expressions, arguing that the English language does not fully capture the democratic regression in this American moment. Professor Snyder’s reasons are more complicated. Primarily, he’s leaving to support his wife, Professor Shore, and their children, and to teach at a large public university in Toronto, a place he says can host conversations about freedom. At the same time, he shares the concerns expressed by his colleagues and worries that those kinds of conversations will become ever harder to have in the United States. “I did not leave Yale because of Donald Trump or because of Columbia or because of threats to Yale — but that would be a reasonable thing to do, and that is a decision that people will make,” he wrote in a Yale Daily News article explaining his decision to leave. Their motives differ but their analysis is the same: ignoring or downplaying attacks on the rule of law, the courts and universities spells trouble for our democracy.
Michael and Lucifer

2025: The end of our world as we know it | Peter Leyden
We are living through the collapse of the old world, and the quiet construction of a new one. From artificial intelligence and clean energy to bioengineering and digital governance, the core systems that defined the last century are rapidly being dismantled and replaced. But this isn’t just about technology. According to futurist Peter Leyden, we’re at a historic turning point: One of the rare moments in American and global history when everything gets reimagined at once.