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Most brands are not growing. They are spending. The dashboard cannot tell the difference.

Hit the target. Close the quarter. Green arrows on the slide. And somewhere in the data nobody looks at, something moved the other way — the customers who used to return without prompting, the ones who paid full price because the brand had earned it, the audience that considered you without being reached first by a promotional incentive.

The brand has been spending trust faster than it has been building it.

Every campaign that hit volume through discount was a withdrawal recorded as a deposit. Every customer service decision that served the company at the customer’s expense was a withdrawal nobody put on the review. Every season the brand had nothing new to say and kept spending to be seen was a withdrawal in the form of silence.

Four years of this and the balance is gone. Not visibly. Structurally.

CAC rises. The team calls it platform pricing.

Retention declines. The team calls it a product problem.

Margin compresses. The team calls it a competitive market.

The competitive market is cheaper for your competitor than it is for you because their ledger is higher and every transaction they make costs less than yours does. That is not market pressure. That is trust debt and it has been accruing in decisions made years ago by competent people hitting reasonable targets in meetings where nobody had language for what was being spent.

JCPenney hit every quarterly target for years before Ron Johnson arrived and discovered the ledger was empty. Kraft Heinz managed its margins for four years before a $15.4 billion write-down made the depletion impossible to ignore. Bed Bath & Beyond sustained traffic on coupons for decades before filing for bankruptcy in April 2023.

None of those collapses were sudden. Every one of them was a sequence.

The crisis didn’t cause the collapse. The crisis made the collapse legible.

If your results disappear when spend stops, nothing you built actually belongs to you.

The Trust Ledger — out now.

There wasn’t a collapse.

No moment where the system broke and everyone noticed.

What happened instead was quieter.

The system kept working.
Just not in the same way.

Campaigns still delivered results.
Dashboards still looked stable.
Reports still made sense and yet something felt off.

Not everywhere. Not immediately.

But enough to create a pattern no one could fully explain.

So we reached for familiar explanations.

Creative fatigue.
Audience shift.
Channel saturation.

Each one sounded reasonable.
None of them held for long.

Because the problem wasn’t inside the campaign.

It was inside the relationship between the campaign and the audience.


the shift no one named

For years, persuasion depended on a simple asymmetry.

The people designing the message understood how it worked.
The people receiving it didn’t.

That gap was where influence lived.

Not in the message itself, but in the difference between what each side could see.

That gap is smaller now.

Not gone. But smaller in ways that matter.

Audiences have seen enough patterns to recognize structure.
Enough repetition to detect intention.
Enough exposure to feel when something is trying to move them.

They don’t need to articulate it.

They just respond differently.


what actually changed

The mechanism didn’t stop functioning.

It became visible and visibility changes behavior.

A tactic that works when it feels natural behaves differently when it feels constructed.

A message that feels like a signal behaves differently when it feels like a move.

The same inputs can produce different outputs depending on whether the audience registers the mechanism behind them.

This is where most organisations misread the situation.

They see declining efficiency and assume execution failure.

So they optimize.

Better targeting.
Sharper creative.
More iterations and for a while, it works.

Then it doesn’t.

Not because the work got worse.

Because the system they’re optimizing has already passed its peak.


the invisible loss

The most important shift doesn’t show up immediately in the data.

It shows up in who stops responding first.

The most attentive audience.
The most connected.
The most influential.

The ones who recognize patterns early.

They don’t leave dramatically.

They just stop engaging in the same way.

The rest of the audience continues to respond, masking the change.

So performance holds.

Until it doesn’t.

By the time the decline is visible, the most valuable part of the audience has already moved on.


what replaces persuasion

When the mechanism becomes visible, the game changes.

You can still generate response.

But it behaves differently.

More dependent on repetition.
More dependent on spend.
Less likely to compound.

That’s not influence.

That’s compliance and compliance doesn’t build anything that lasts.

What replaces it is harder to manufacture.

Not because it’s more complex, but because it doesn’t rely on a hidden advantage.

It relies on something that can survive being seen.

That’s where trust stops being a brand attribute and starts behaving like a system.

Something that accumulates.
Something that depletes.
Something that changes the cost of every future interaction.


why this matters now

There’s a moment every system goes through.

When it still functions on the surface but stops creating the same outcomes underneath.

That’s where marketing is now.

Still producing results.
Quietly losing efficiency.
Gradually changing shape.

Most teams are still solving for the visible layer.

Very few are adjusting for the structural one.


the book

This is what I tried to map in The Asymmetry Economy.

Not tactics.
Not frameworks to apply.

A way to read what’s already happening.

Why it feels like things are working and not working at the same time.
Why the people you most want are the first to disengage.
Why more effort is producing less movement and what replaces a system once its core advantage disappears.


Because the system didn’t break.

It became visible and once you see it, you can’t go back to working the same way.

Let me know what you think1

The Candle, the Pumpkin, and Lucifer is a darkly whimsical short story that continues the fable of Lucifer, the tuxedo cat with world-domination in his eyes. When Halloween arrives, Michael ..his ever-devoted but oblivious human…discovers strange pumpkins on his doorstep, eerie gatherings of neighbourhood cats, and rituals flickering in candlelight.

As jack-o’-lanterns whisper, rooftops fill with a feline procession, and fear itself becomes a feast, Lucifer steps fully into his role as sovereign of shadows. Michael, caught between disbelief and dread, must decide whether to finally see his companion for what he truly is …or remain blind as the charming apocalypse curls into his lap, purring like thunder.

A gothic, satirical bedtime story for adults, this Halloween tale blends eerie humour with sinister charm, perfect for fans of Neil Gaiman, Edward Gorey, and Tim Burton

The Candle, the Pumpkin, and Lucifer is a darkly whimsical short story that continues the fable of Lucifer, the tuxedo cat with world-domination in his eyes. When Halloween arrives, Michael ..his ever-devoted but oblivious human…discovers strange pumpkins on his doorstep, eerie gatherings of neighbourhood cats, and rituals flickering in candlelight.

As jack-o’-lanterns whisper, rooftops fill with a feline procession, and fear itself becomes a feast, Lucifer steps fully into his role as sovereign of shadows. Michael, caught between disbelief and dread, must decide whether to finally see his companion for what he truly is …or remain blind as the charming apocalypse curls into his lap, purring like thunder.

A gothic, satirical bedtime story for adults, this Halloween tale blends eerie humour with sinister charm. Grab it here

Welcome, fellow office inmate. 

You’ve spent eight hours (or more) staring at screens, sitting in ergonomic chairs that feel like medieval torture devices, answering emails that could have been a one-word reply, and attending meetings that could have been emails.

Your soul is tired. Your will to live? Questionable.

But worry not here’s a book where you can finally relax by colouring in the horror of your daily existence. Think of it as therapy with pens: instead of screaming into the void, you shade it in. Each page is a sarcastic meditation on office life …cubicles, deadlines, bosses, coffee dependence, and the existential dread of tomorrow’s to-do list. Colour them beautifully. 

Or angrily. Or both. Because tomorrow, you’re back at your desk anyway.

The Candle, the Pumpkin, and Lucifer is a darkly whimsical short story that continues the fable of Lucifer, the tuxedo cat with world-domination in his eyes. When Halloween arrives, Michael ..his ever-devoted but oblivious human…discovers strange pumpkins on his doorstep, eerie gatherings of neighbourhood cats, and rituals flickering in candlelight.

As jack-o’-lanterns whisper, rooftops fill with a feline procession, and fear itself becomes a feast, Lucifer steps fully into his role as sovereign of shadows. Michael, caught between disbelief and dread, must decide whether to finally see his companion for what he truly is …or remain blind as the charming apocalypse curls into his lap, purring like thunder.

A gothic, satirical bedtime story for adults, this Halloween tale blends eerie humour with sinister charm

Every house cat has secrets.
Lucifer has an agenda.

When Michael rescued a shivering tuxedo kitten on a rainy night, he thought he’d found a companion. What he actually brought home was a charming apocalypse wrapped in fur. Behind the purrs and head-butts lurks a strategist, a tyrant-in-waiting, a would-be ruler of shadows.

From yarn spun into occult sigils to kibble maps of global conquest, Lucifer’s rise unfolds in a series of eerie, hilarious vignettes that blur the line between everyday cat antics and world domination. Michael, ever the devoted human, remains blind to the truth his living room has become the throne room of a would-be conqueror.

Hell in a Tuxedo is a gothic-satirical fable for adults who suspect their cats are plotting something more than naps. Darkly whimsical, slyly funny, and wickedly illustrated in prose, it’s a bedtime story for grown-ups who know the devil wears whiskers.