A spectacle that is not immersed in memory […] remains a meaningless collection of disjointed fragments. The films are THE LADY FROM SHANGHAI (Orson Welles, 1947) and ENTER THE DRAGON (Robert Clouse, 1973) Created by Catherine Grant
A spectacle that is not immersed in memory […] remains a meaningless collection of disjointed fragments. The films are THE LADY FROM SHANGHAI (Orson Welles, 1947) and ENTER THE DRAGON (Robert Clouse, 1973) Created by Catherine Grant
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