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For most of its history, advertising thrived on context.

Marlboro could posture as rugged freedom in the pages of Life.

Coca-Cola could sell happiness in the glow of a family television. Brands borrowed gravitas from the stage they performed on.

That stage has collapsed.

Open any feed, and the juxtapositions border on derangement. A luxury perfume ad sits next to footage from kids dyeing a war zone. A “get ready with me” makeup tutorial plays before a video of protesters clashing with police. A parody song about eugenics algorithms trends, while a new snack food launches in the same scroll. Luxury and suffering. Irony and sincerity. Progress and regression. All jostling for the same square of glass.

This is not culture. It is collision.

Algorithms, of course, insist they are solving the problem. They offer “personalization”. But what they actually know are the following: They know when you are restless, when you pause for three seconds on a video, when you hover over a product before abandoning it. They know your pulse. What they do not know is your soul. Why you can’t sleep, why you feel sad, why you are crying.

Prediction is not the same as understanding.

Machines are superb at exploiting moments of weakness—2am insomnia, doomscroll fatigue, payday jitters. Yet they cannot tell you why people yearn, what they aspire to, or what makes life meaningful. The industry has mistaken behavioural prediction for intimacy, and in doing so, has surrendered its one true advantage: the ability to craft enduring meaning.

This is advertising’s awkward dilemma. Do brands add more shards to the pile, fighting for a microsecond of fractured attention? Or do they resist the gravity of the feed and try to create coherence instead?

The uncomfortable truth is that advertising has become a contributor to the breakdown. By chasing “relevance” at all costs, brands pour gasoline on the chaos. Every campaign becomes another dissonant signal fighting for scraps of cognition.

Yet the opportunity is hiding in plain sight. In an environment where everything is noise, coherence becomes radical. In a feed where every signal contradicts the next, a brand that offers consistency, clarity, or even a moment of calm stands out far more than one that shouts louder.

Yesterday’s diagnosis was economic: loyalty is no longer earned, it is rented, renewed only as long as the offer makes sense. Today’s diagnosis is cultural: meaning itself has fragmented.

The future of advertising will not be won by algorithms alone, nor by nostalgia for heritage brands. It will be won by those who can do what machines cannot: give people a story that makes sense of the chaos.

The algorithm may know your pulse, but only humans can write your soul. The question for brands is brutally simple: do you want to feed the collapse—or carve coherence out of it?

now you know!

India, the “world’s biggest democracy,” doesn’t hesitate to flirt with Beijing. Because democracy no longer sells. It is messy. It is slow. It is hypocritical.

Autocracy is the upgrade. It is packaged as efficiency and growth. Sleek. Dangerous. Seductive.

Democracy was Coca-Cola. Sweet, global, everywhere. Now it is flat.
Autocracy is Red Bull. Ugly. Addictive. Global. It promises wings, even if it wrecks you.

Look at the parade in Beijing. Missiles rolling like limited-edition sneakers. Xi, Putin, and Kim posing like brand influencers at a launch event. This wasn’t a military march. It was an ad campaign.

Naomi Klein warned us how brands hollow out meaning. That’s what autocracy is doing now. Strip out human rights. Strip out transparency. What’s left? A clean pitch: speed, growth, security. The Apple Store of geopolitics.

Meanwhile democracy runs on nostalgia. Freedom. Rights. Integrity. Beautiful words. But when the infrastructure breaks, when governments gridlock, when politicians keep stealing money, when scandals are daily, when people feel betrayed—those slogans sound like jingles from a dead brand.

The West thinks the world still buys its values. The Global South is shopping for results. Ports. Railways. 5G. Debt relief. They don’t want democracy’s story. They want autocracy’s product.

Missiles are the new billboards. Parades are product launches. Power has become a spectacle, and the audience is global.

The Coca-Cola of politics is sliding to the back shelf. The Red Bull of politics is now at eye level. And the world is reaching for the can with wings.

Every empire ends the same way. Not with a bang. With bad branding.

Graham Annable aka Grickle via

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