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by Hugues Opter

by Kevin L. Ferguson

by Emma Hampsten

by Jason Mittell

by Ian Garwood

Sawing Fred Astaire and Cyd Charisse in half.
Another experiment in cinephilic re-spatialisation by Catherine Grant

A spectacle that is not immersed in memory […] remains a meaningless collection of disjointed fragments.
The films are THE LADY FROM SHANGHAI (Orson Welles, 1947) and ENTER THE DRAGON (Robert Clouse, 1973) Created by Catherine Grant

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